
Unleashing Creativity: How Pinewood Studios Revolutionized Post-Production with High-Performance Workstations
Pinewood Studios. Just the name conjures images of iconic blockbusters, meticulously crafted worlds, and the very pinnacle of cinematic artistry. Yet, even a titan like Pinewood, a studio renowned globally for birthing cinematic masterpieces and popular television series, found itself at a critical juncture. The relentless march of technological progress, particularly in video editing, was putting unprecedented strain on their existing infrastructure. The struggle was real: meeting the dizzying demands of modern high-resolution footage and increasingly complex editing tasks became a daily challenge, sparking inefficiencies and, worse, the looming specter of production delays. It was clear, a significant upgrade wasn’t just an option; it was an absolute necessity for staying at the forefront of the industry.
Imagine the scene: an editor, eyes glued to a timeline, trying to finesse a crucial 4K shot, but the playback is stuttering, the rendering bar crawls, and that moment of creative flow is repeatedly broken. It’s frustrating, isn’t it? That was the reality. The studio’s legacy systems simply couldn’t keep pace with the sheer data volume and computational gymnastics required by today’s sophisticated post-production workflows. Something had to give, and thankfully, it was the old hardware, making way for a new era of unbridled creative freedom.
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The Intensifying Demands of Modern Post-Production
To truly grasp the predicament Pinewood found itself in, you’ve got to understand the landscape of contemporary video editing. We’re not just talking about cutting clips anymore; we’re talking about intricate visual effects, detailed color grading, multi-layered audio tracks, and increasingly, workflows that integrate virtual production and real-time rendering. This is a universe away from the linear editing of even a decade ago. Every single frame, every subtle nuance, contributes to the final polished product, and the tools used to craft these frames are incredibly demanding.
The Software Powerhouses: Avid and DaVinci Resolve
At the heart of Pinewood’s editing suites were industry-standard applications like Avid Media Composer and Blackmagic Design’s DaVinci Resolve. Both are phenomenal pieces of software, powerful enough to tackle anything from an indie short to a Hollywood epic, but they’re also notorious resource hogs. Avid, for instance, excels in managing vast amounts of media and complex collaborative workflows, often dealing with multiple video and audio tracks, real-time effects, and extensive metadata. DaVinci Resolve, on the other hand, has become the go-to for advanced color grading, often pushing GPUs to their absolute limits with intensive node-based corrections and sophisticated RAW media processing. It also includes comprehensive editing, audio (Fairlight), and VFX (Fusion) capabilities, all of which demand robust hardware to run smoothly.
These applications aren’t just processing video; they’re decoding codecs, applying algorithms for image manipulation, running complex simulations for visual effects, and constantly caching data for real-time playback. When you’re trying to scrub through an uncompressed 8K RAW file with multiple layers of VFX and a LUT applied, your system isn’t just working hard, it’s performing an Olympic feat of data management and computation. And if your hardware isn’t up to snuff, that Olympic feat quickly becomes a frustrating crawl.
The Resolution Revolution: Beyond HD
The most significant pressure point, however, stemmed from the escalating resolution of media files. The industry has long moved past 1080p HD, embracing 4K as the new standard, with 8K becoming increasingly common for high-end productions and even nascent experiments with 12K. And it’s not just the resolution that’s expanded; it’s the color depth (10-bit, 12-bit, or even 16-bit), the frame rates (HFR), and the uncompressed or lightly compressed RAW formats. Each jump in resolution and color depth exponentially increases the amount of data that needs to be processed, stored, and transmitted. A single frame of 8K video contains four times the pixel information of a 4K frame, and sixteen times that of an HD frame. Multiply that by 24, 30, or even 60 frames per second, and you’re talking about truly astronomical data rates. Dealing with these massive files isn’t just about storage space; it’s about the ability of the entire system – CPU, RAM, GPU, and storage – to read, process, and write that data fast enough to maintain a fluid editing experience.
Add to this the intricate audio processing, often involving dozens of tracks, sophisticated plugins, and real-time mixing, and you have a clear picture of why a ‘good enough’ setup was no longer good enough. Pinewood needed workstations that wouldn’t just cope; they needed systems that would empower their artists, allowing them to focus on creativity, not technical bottlenecks.
Pinpointing the Core Hardware Requirements
Understanding the challenge was the first step; articulating the solution, hardware-wise, came next. Pinewood’s technical team, no doubt intimately familiar with the daily grind, outlined a clear set of requirements. These weren’t just wish-list items; they were non-negotiable specifications for maintaining efficiency and ensuring artistic integrity. Let’s delve into what each component needed to bring to the table.
Multicore Processors: The Brains of the Operation
At the heart of any powerful workstation lies its processor, the CPU. For video editing, particularly with multithreaded applications like Avid and Resolve, a single core, no matter how fast, simply won’t cut it anymore. The minimum requirement identified was a 6-core processor running at 3.0GHz. Now, that’s a decent baseline, but for heavy lifting, you need more. Why? Because video editing tasks are inherently parallelizable. Encoding, decoding, applying multiple effects, background rendering, even simply playing back complex timelines – these operations can all be split across multiple cores. A higher core count means the workstation can handle more tasks simultaneously, leading to smoother playback, faster renders, and a more responsive user experience overall. Imagine a bustling kitchen; more chefs (cores) mean more dishes (tasks) can be prepared at once. The 3.0GHz clock speed ensures each individual core is still snappy, handling those single-threaded operations or quickly processing smaller chunks of data.
Ample Memory (RAM): The Short-Term Memory Powerhouse
RAM is your system’s short-term memory, and for video editing, you can never really have too much of it. It’s where your software caches preview files, stores open projects, holds data for active applications, and facilitates real-time manipulation. The studio recognized this, noting that 32GB was adequate for smaller projects. However, the move to 4K, 8K, and beyond, coupled with complex compositions and multi-application workflows, made it clear that 64GB or more was absolutely crucial for larger, more demanding tasks. When you’re working with uncompressed 8K footage, even a few seconds can consume gigabytes of RAM. If you don’t have enough, your system starts swapping data to slower storage drives, bringing everything to a grinding halt. More RAM means your system can keep more data readily accessible, eliminating those frustrating pauses and allowing for seamless scrubbing and real-time effects playback. It’s like having a bigger workbench; you can keep more tools and materials at hand without constantly running back and forth to the storage shed.
High-Performance Graphics Cards: The Visual Workhorse
While the CPU handles general processing, the Graphics Processing Unit (GPU) is the dedicated powerhouse for visual tasks. Modern video editing software, particularly DaVinci Resolve, heavily leverages GPU acceleration for everything from real-time playback of high-resolution media to complex effects rendering, noise reduction, and advanced color grading. A minimum of a 4GB VRAM graphics card was deemed necessary. VRAM, or Video RAM, is the GPU’s own dedicated memory, essential for handling large textures, high-resolution buffers, and complex shaders. The more VRAM you have, the more visual data your GPU can process without offloading to slower system RAM, directly impacting performance. For the demanding projects at Pinewood, faster options were definitely preferred because the difference between a 4GB card and a 16GB card, especially when dealing with multiple layers of 8K footage and intricate visual effects, is like night and day. It directly translates to quicker rendering times and smoother interaction with complex visual elements.
Expansive, Lightning-Fast Storage Solutions: The Data Pipeline
Finally, but certainly not least important, is storage. For a video editing workstation, a traditional hard drive just won’t cut it for active project files. The sheer data rates of high-resolution video demand something much faster. A 1TB SSD (Solid State Drive) was identified as a critical requirement to accommodate large media files without compromising performance. Unlike HDDs, SSDs have no moving parts, offering exponentially faster read and write speeds. This translates to quicker project loading times, immediate access to media, and a much more responsive timeline. However, 1TB, while a good start for local project files and scratch disks, is often just a temporary staging area in a professional studio environment. Pinewood’s broader workflow would undoubtedly rely on robust network-attached storage (NAS) or storage area networks (SAN) for shared media libraries and archiving. But for the active working projects, a fast local SSD is non-negotiable; it’s the express lane for the data your CPU and GPU need right now.
Forging a Partnership: Intelligent Servers Steps In
Recognizing that these demanding technical specifications required more than just off-the-shelf solutions, Pinewood Studios sought a specialist partner. That’s where Intelligent Servers entered the picture. As a UK-based company with a strong reputation for providing high-performance, tailored workstations, especially within the media production industry, they were a natural fit. They didn’t just sell boxes; they understood the intricacies of post-production workflows and the critical role hardware plays in enabling creativity.
The collaborative process was key here. Intelligent Servers didn’t simply present a generic catalog; they engaged with Pinewood’s team, digging deep into their specific needs, understanding their software ecosystem, and anticipating future demands. This level of personalized consultation is invaluable when you’re making such a significant infrastructure investment. After thorough analysis and discussion, Intelligent Servers confidently recommended the HP Z8 G4 Workstations. This choice wasn’t arbitrary; the HP Z8 G4 series is renowned globally for its enterprise-grade reliability, formidable performance, and exceptional scalability – qualities absolutely essential for a demanding environment like Pinewood.
What makes the Z8 G4 so appealing to professionals? Well, it’s designed from the ground up for critical applications. It offers immense expandability, supporting dual CPUs, vast amounts of RAM, multiple high-end GPUs, and a plethora of storage options. It’s a true workhorse, built to run 24/7 under heavy loads without breaking a sweat, ensuring maximum uptime and creative continuity. Its robust chassis and superior thermal management also mean it can handle those intense, long rendering sessions without overheating – a silent hero in the edit suite, if you ask me.
The Bespoke Configuration: Powering Pinewood’s Vision
The recommendations from Intelligent Servers weren’t just about selecting a workstation model; they involved meticulously configuring each unit to precisely meet, and in many cases, exceed Pinewood’s outlined requirements. This wasn’t just an upgrade; it was a fundamental re-tooling, designed to future-proof their operations for years to come. Let’s really drill down into the powerhouse specifications that were decided upon for each workstation:
Dual Intel Xeon-Gold 6145 Processors: A True Multitasking Marvel
Forget that 6-core minimum; Pinewood’s new machines were equipped with not one, but two Intel Xeon-Gold 6145 processors. Each of these formidable CPUs boasts 18 cores, running at a base clock speed of 3.0GHz. Now, let’s do the math: that’s a staggering total of 36 physical cores per workstation! This isn’t just exceptional processing power; it’s a colossal leap forward. The Xeon-Gold series is designed for demanding enterprise-level applications, offering superior reliability, advanced features like Intel’s Quick Sync Video (for accelerated media processing), and support for Error-Correcting Code (ECC) RAM, which is vital for preventing data corruption in critical workflows.
What does 36 cores at 3.0GHz actually mean for an editor? It means unparalleled multitasking capabilities. Imagine rendering a complex visual effects sequence in the background, exporting a different project for review, and still having buttery-smooth real-time playback on your main timeline. The sheer number of cores allows the system to chew through multiple CPU-intensive tasks simultaneously, drastically reducing waiting times. The high clock speed ensures that even single-threaded operations remain snappy and responsive. This configuration isn’t just about brute force; it’s about intelligent, parallel processing that keeps the entire production pipeline moving efficiently, ensuring that creative ideas can be realized without frustrating technical bottlenecks.
192GB DDR4 2666MHz RAM: An Ocean of Memory
While the initial thought was 64GB for larger tasks, the final configuration blew that out of the water: a massive 192GB of DDR4 2666MHz RAM. This isn’t just ample; it’s luxurious. For editors dealing with multiple concurrent applications – say, DaVinci Resolve, Adobe After Effects, and a 3D modeling package open simultaneously – this amount of RAM ensures that everything stays loaded and instantly accessible. It’s particularly crucial when working with uncompressed or lightly compressed 8K or 12K media, where each frame can consume significant memory just for caching and preview generation. Imagine applying a complex color grade to an 8K HDR clip, then jumping to another part of the timeline, and the system instantly responds without having to reload data from slower storage. That’s the power of 192GB.
The 2666MHz speed, combined with the multiple memory channels supported by the Xeon platform, ensures that data can flow to and from the CPUs at incredibly high rates, preventing memory bottlenecks. Furthermore, the use of ECC RAM, typical in workstation and server-grade systems, automatically detects and corrects data corruption errors, which is a subtle but critical layer of reliability when you’re dealing with irreplaceable project files. It’s like having a team of dedicated librarians constantly ensuring all your books (data) are in perfect order and accounted for.
NVIDIA Quadro P5000 Graphics Card: Visual Horsepower and Precision
For the graphics backbone, Pinewood opted for the NVIDIA Quadro P5000 Graphics Card, armed with a substantial 16GB of GDDR5X VRAM. This choice underscores the studio’s commitment to visual fidelity and performance. Unlike gaming-focused GeForce cards, the Quadro line is specifically designed and certified for professional applications, offering superior driver stability, extended life cycles, and enhanced precision for tasks like CAD, 3D rendering, and, of course, professional video editing and visual effects. The P5000, part of NVIDIA’s Pascal generation, was a powerhouse in its day, offering excellent performance for its class.
What does 16GB of VRAM enable? It’s a game-changer for high-resolution, deep-color workflows. It means the GPU can handle multiple 4K or 8K monitors, render complex visual effects in real-time or near real-time, and accelerate intensive operations within DaVinci Resolve like OpenFX plugins, temporal noise reduction, and advanced HDR grading. Editors can work with intricate compositing, layering dozens of video tracks, each with its own effects, without experiencing lag or dropped frames. The GPU also plays a vital role in encoding and decoding high-bitrate codecs, significantly accelerating export times. This card isn’t just about making things look good; it’s about the speed and accuracy with which those visuals are created and manipulated.
1TB M.2 2280 SSD: Blazing-Fast Local Storage
Rounding out the core hardware was a 1TB M.2 2280 SSD. But this isn’t just any SSD; it’s an NVMe (Non-Volatile Memory Express) drive, which connects directly to the motherboard via a PCIe lane, offering significantly faster read and write speeds compared to traditional SATA SSDs. We’re talking speeds that can be 5-7 times faster, easily surpassing 3000 MB/s. This high-speed storage solution provides rapid data access, making an immediate impact on project loading times, media import, and the responsiveness of the editing timeline. It serves as the primary drive for the operating system, applications, and, crucially, as a lightning-fast scratch disk for active projects. It’s where your software throws temporary files, preview renders, and cache data, and the faster it can do that, the smoother your workflow becomes.
While 1TB might seem modest for an entire media library, it’s perfectly sized for housing current project files, cached renders, and crucial scratch data. In a professional studio setting like Pinewood, this local NVMe SSD would be complemented by a robust shared storage solution (like a SAN or NAS) over a high-speed network, providing access to the vast archives of media. The local NVMe drive acts as a hyper-fast buffer, ensuring that the critical data being actively worked on is always available at peak performance.
Implementation, Impact, and the Smarter Investment
This wasn’t just a hardware upgrade; it was a strategic investment, and Pinewood Studios, with the guidance of Intelligent Servers, made a particularly astute choice by opting for refurbished workstations. The cost savings were substantial: each HP Z8 G4 unit, with its incredibly powerful, bespoke configuration, was purchased for just under £5,000. To put that into perspective, acquiring these exact specifications brand new would have set them back at least £9,500, excluding VAT. That’s nearly a 50% saving without compromising on enterprise-grade performance or reliability.
The Refurbished Advantage: Performance Without the Premium
Choosing refurbished in this context isn’t about cutting corners; it’s about intelligent procurement. Intelligent Servers specializes in rigorously testing, cleaning, and certifying enterprise-grade hardware, bringing it back to ‘as new’ operational standards. These aren’t consumer-grade machines that have been run into the ground; they’re often ex-corporate or data center units designed for continuous operation and built with higher quality components than standard desktops. They’ve already passed the initial ‘burn-in’ period where most manufacturing defects tend to appear.
What made this even more attractive was the comprehensive three-year warranty accompanying each workstation. This isn’t your typical short-term used hardware warranty; it’s a testament to the quality and confidence Intelligent Servers places in their refurbished products. Crucially, the warranty also included remote setup and support, ensuring that Pinewood’s technical team had immediate assistance, minimizing any potential downtime and ensuring a smooth integration into their existing workflow. This blend of performance, cost-effectiveness, and robust support made the refurbished route an undeniable win.
Unleashing Creative Potential and Boosting Productivity
The impact on Pinewood’s post-production capabilities was immediate and profound. The upgraded workstations transformed the studio’s ability to handle the most demanding aspects of modern filmmaking. High-resolution footage, once a source of frustration, could now be manipulated and played back with unprecedented fluidity. Complex editing tasks, which previously might have led to agonizing waits, were now expedited. Rendering times, the bane of every editor’s existence, were dramatically slashed. Imagine a project that used to take three hours to render now completing in 45 minutes; that’s not just a time-saver, it’s a creative enabler.
This technological leap meant a tangible boost in overall productivity. Editors could iterate faster, experiment more freely, and spend less time staring at progress bars and more time refining their craft. The creative process became less about battling the technology and more about realizing artistic vision. This improved efficiency directly translates to tighter production schedules, the ability to take on more ambitious projects, and ultimately, a more competitive edge in a rapidly evolving industry. It also has a positive ripple effect on artist morale; there’s nothing worse for a creative professional than having their flow broken by sluggish equipment. By providing top-tier tools, Pinewood reinforced its commitment to its talent.
The Broader Implications: A Blueprint for the Industry
Pinewood Studios’ decision to invest in these high-performance, meticulously configured workstations, particularly through the refurbished route, offers a compelling blueprint for the wider media production industry. It underscores several critical points:
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Hardware is Paramount: In an industry increasingly driven by data and digital assets, the underlying hardware is not just a supporting player; it’s a core component of the creative process. Without the right tools, even the most talented artists will face limitations.
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Customization is Key: Off-the-shelf solutions rarely meet the specific, often unique, demands of high-end post-production. A bespoke approach, tailored to the software, workflows, and media types being used, yields far superior results.
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Value in Refurbished Enterprise Gear: The traditional perception of refurbished hardware often involves compromises. However, when dealing with enterprise-grade equipment, meticulously refurbished by specialists like Intelligent Servers, it presents an incredible value proposition. You get the robust build quality, reliability, and performance designed for mission-critical tasks, often at a fraction of the cost of new.
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The Future is Resource-Intensive: As resolutions continue to climb, visual effects become more intricate, and collaborative workflows become more distributed, the demand for processing power, memory, and high-speed storage will only intensify. Studios must continuously evaluate and upgrade their infrastructure to remain competitive and creatively agile.
In essence, the collaboration between Pinewood Studios and Intelligent Servers isn’t just a success story about new computers; it’s a testament to the critical role that thoughtful technological investment plays in fostering creativity, enhancing efficiency, and securing a leading position in the fast-paced world of film and television production. It’s about empowering the artists behind the magic, ensuring that the vision on screen is never held back by the limitations of the machine.
References
- Intelligent Servers UK. (n.d.). Case Study – Pinewood Studios: Production Company Needing Powerful Workstations for Video Editing. Retrieved from (intelligentservers.co.uk)
- Tech Monitor. (2013, October 1). Hollywood studio virtualises IT infrastructure. Retrieved from (techmonitor.ai)
- Farrar, R. (n.d.). Audio Post Production at Pinewood Studios. Retrieved from (richardfarrar.com)
- Lenovo. (n.d.). How to Set Up Workstations for Video Editing. Retrieved from (lenovo.com)
- Pinewood Studios. (n.d.). Production Facilities. Retrieved from (pinewoodgroup.com)
£5,000 for those refurbished workstations? That’s less than my car! Suddenly, my dreams of editing my cat videos into a Hollywood blockbuster seem a *little* more achievable. Maybe Pinewood needs some feline talent.
That’s right! For a workstation of this caliber, that is a great price. We love that you’re thinking big with your cat videos. Who knows, maybe feline talent is Pinewood’s next big thing! Perhaps Hollywood should embrace the purr-fect actors, what do you think the next big blockbuster featuring cat talent should be?
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The detailed breakdown of hardware requirements really highlights how crucial each component is for a smooth post-production workflow. I’m curious, what advancements in network infrastructure do you foresee becoming essential to handle the ever-increasing file sizes in film editing?
Thanks for your comment! You’re spot on about the hardware’s importance. Regarding network infrastructure, I think we’ll see widespread adoption of faster protocols like NVMe-oF and advancements in RDMA to minimize latency and maximize throughput. This will be crucial for real-time collaboration on massive files. What are your thoughts?
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The dual Intel Xeon processors certainly provided a performance leap. I wonder how the shift to ARM-based processors, known for their power efficiency and increasing performance, might influence future workstation configurations for post-production environments?
That’s a really insightful point! ARM processors are definitely shaking things up. The power efficiency combined with rising performance could lead to smaller, cooler, and potentially even more powerful workstations. It’ll be interesting to see if software developers fully optimize post-production tools for ARM architecture, unlocking even greater potential! What are your thoughts on the software side of things?
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Pinewood’s move to refurbished workstations highlights a smart approach. Considering the rapid advancements in GPU technology, how often do you think studios will need to upgrade their graphics cards to keep pace with evolving visual effects demands and maintain a competitive edge?
Great question! Given the pace of GPU advancements and the increasing complexity of VFX, I think studios will need to reassess their graphics card capabilities every 2-3 years. It’s about finding that sweet spot between cost, performance, and staying ahead of the curve to maintain a competitive edge in visual quality. It’s a difficult balance to strike!
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Pinewood’s emphasis on customized workstations is key. As virtual production and real-time rendering become more integrated, how might studios optimize workstations to handle the unique demands of on-set visualization and data capture, ensuring a seamless bridge between filming and post-production?
That’s a fantastic question! Thinking about on-set visualization, it feels like a move towards more modular workstation designs could be beneficial. Allowing for quick swapping of components based on the day’s specific virtual production or data capture needs. What are your thoughts on the practicality of such a dynamic hardware setup?
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Pinewood’s move to dual processors is interesting, especially with modern software increasingly leveraging GPU power. How might studios balance CPU and GPU investments for optimal rendering and real-time performance in virtual production workflows?
That’s an excellent point about balancing CPU and GPU investments! With real-time rendering becoming more crucial, I think studios might explore hybrid rendering solutions that dynamically allocate tasks based on the scene’s complexity. This could involve intelligent software that analyzes the scene and distributes rendering tasks accordingly to maximise efficiency and performance of each component. What do you think?
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Given the detailed hardware specifications, how did Pinewood’s network infrastructure evolve to support the increased data throughput and collaborative editing workflows facilitated by these upgraded workstations?
That’s a crucial point! The move to faster workstations necessitated a parallel upgrade in network capabilities. Pinewood likely leveraged 100GbE or even faster interconnects, alongside optimized network protocols like SMB Direct, to minimize latency and maximize throughput for collaborative editing workflows. A robust network architecture is key for seamless data flow!
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The article’s focus on customization is a great takeaway. Beyond hardware, how can studios leverage software optimization and tailored application configurations to further enhance workstation performance for specific project needs?
That’s a fantastic point about customization. I think software optimization is key. Studios could explore automated scripting for repetitive tasks, custom plugins, and even AI-powered tools to streamline workflows. Imagine AI pre-caching frequently used assets or suggesting optimal render settings! What innovative software solutions do you think studios should prioritise?
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Pinewood’s emphasis on hardware customization is notable. What strategies might studios implement to ensure consistent performance across different workstation configurations, especially when collaborating on large projects with distributed teams?
That’s a great point about customization challenges! Addressing this across distributed teams is so important. I think standardized base OS images, combined with application containerization (like Docker), can help ensure consistent software environments regardless of the underlying hardware. This allows for easier troubleshooting and reproducible results. What are your thoughts?
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£5k *is* a steal! But now I’m wondering, with all that power, could those workstations also double as top-tier gaming rigs after hours? Asking for a friend, obviously… who’s a very dedicated *editor*… who also likes ray tracing.